Artists take risks for all of us. ARC (Artists at Risk Connection) supports at-risk artists and defends artistic freedom!

Their Mission

ARC works to protect artists and cultural workers at risk due to their creative expression, often tied to their identities or roles within their communities. By providing vital resources and support, ARC helps them navigate challenges such as persecution, censorship, harassment, threats, and violence from both state and non-state actors—whether targeted for their art or their broader impact on cultural, social, and political issues.

Founded in 2017, ARC was incubated under PEN America, the U.S. chapter of PEN International. ARC is now an independent organization, officially registered in France as an association under French law (Loi 1901) since October 2024, and as a 501(c)(3) nonprofit organization in the US since early 2025.

Who they support

Artists

ARC’s definition of “artist” is inclusive, encompassing those who work across any creative field or medium, including visual artists, musicians, cartoonists, filmmakers, performance artists, dancers, writers, and more.

Cultural workers

“Cultural workers” include those who work within the cultural or creative sectors, contributing to the production, management, or promotion of culture and the arts.

Safety guide for artists

(The Safety Guide for Artists explores topics such as defining and understanding risk, preparing for threats, fortifying digital safety, documenting persecution, finding assistance, and recovering from trauma.)


Creative expression is a universal right that artists use to entertain, relate, speak out, expose, and encourage dialogue. But when others, especially those with political, economic, or social power, feel challenged or threatened by this, they may try to harm or silence artists. ARC strives to protect and empower these at-risk artists to work securely.

Stand with Artists Under Threat!

Around the world, artists are censored, harassed, imprisoned, and attacked simply for expressing ideas or for who they are. When artists are silenced, we all lose voices essential to a freer, more just society.

Your contributions ensure artists at risk are not left to face these threats alone. It enables ARC to deliver timely, life-saving support and to strengthen the resources, networks, and infrastructure that help artists stay safe and continue their creative work. All donations provide unrestricted support for ARC’s mission and core operations.

Please donate right here! Thank you.



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Benne van der Velde

After thoroughly enjoying the Dutch slam poetry scene in the early and mid 2000s (with wins in 7 cities and eventually a place in the Nationals of 2012) and performances at the Lowlands-, Uitmarkt- and Parade festivals a/o, Benne successfully made the transition from the stage to paper by signing his first publishing deal in 2005. Since then 4 publishing houses (kleine Uil, Douane, Nadorst and Stanza) released volumes of his poetry. For a 5th (Passage) he co-edited an anthology of satirical/pamphlet poetry with fellow poets Daniel Dee and Alexis de Roode.

As a member of the artist movement ‘Het Ongeboren Idee’ he helped to organize (and was part of/presented) cultural lo-fi festivals, exhibitions, making a movie, monthly poetry stages in his hometown of Vlaardingen (Poezie in De Steeg), Rotterdam (De Poetsclub) and Nijmegen (Late Letteren Live) + a talent show for bands.

In 2002 and 2003 he studied ‘writing for performance’ at the vocational university of the Arts in the city of Utrecht (HKU) and as a result saw 3 of his theater plays make it to a stage. Writer Hiekelien van den Herik and he co-wrote a knight spectacle play complete with real choreographed sword fights, men in heavy plate armor and more great stuff like that. Theater-/enactment group Ridderspoor performed said play in 2004 and 2005 at Het Archeon, during De Kasteeldagen and at an Elfia-fantasy fair. He also gave numerous poetry and rap workshops at schools and other institutions. There were a lot of collabs too, for example voice-over work for a Rock Opera, a monumental art project for which he partnered up with the artist Erwin Adema and thrice alongside the R.J.S.O (The Rotterdam Youth Symphony Orchestra).

Benne has been an editor for several literary magazines (Krakatau, Renaissance and Op Ruwe Planken), at one time he and his wife owned a secondhand bookstore, he’s been the official poet laureate for his hometown of Vlaardingen and released his first and only Dutch rap-EP in 2011. In 2012 he rapped his way into the finals of Art Rocks. An EP with songs in English followed in 2021. A year later he started translating Dutch musical and lyrical classics from Dutch into English, and vice versa. Some of his short sci-fi and fantasy stories have found their way to medium related websites, magazines and anthology’s.

According to the poet himself rewriting his own poetry, lyrics and prose in English somehow feels like the next logical step in his career, a way to open up to the world at large. Which is both exhilarating and terrifying. So far several of these translations have been published in Bebarbar, Hare’s paw, Festivalforpoetry, Punt Volat, The Dewdrop, The Dillydoun Review and Months to Years a/o.

In everyday (some claim real) life he worked as an industrial tank cleaner, in pest control, on a garbage truck, driving a forklift, in a chemical waste facility, on a Ferry and 10 years as a bartender in a cannabis bar. At the time of writing this resume he can be found at home or in the hospital battling throat cancer. He’s been off the Herb since 2008, has a wife, 2 dogs, mild anxiety issues and likes to read every sci-fi and fantasy classic he can find.

www.linkedin.com/in/benne-van-der-velde-8b17a7296

The poet/lyricist and author Rob Chrispijn: ‘Benne writes sentences that stick; clean, dark and intense. This way a poem lasts!’

The poet Philip Hoorne on the website Poetry rapport: ‘There’s a genius hiding in Benne van der Velde, those are the Good Tidings of today. Amen.’

https://www.doubledutchmagazine.com
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