Takeaway
What I got from the shrink was that if I
confessed (I had been talking about this)
what I see as my character flaws, some
people would think that many are much
more minor than I think and I should
cut myself some slack; other (or maybe the same)
people would wonder what I’m trying to
hide (from them or myself) by emphasizing
those, while still others (or the same)
would note that I have gaping, glaring
faults I appear not to notice; and in
any case (he added with the faintest
tinge of good or ill humor) I had
conned him into speaking the language
of morals, which isn’t his job.
As I ponder this second stanza, I plan to
sketch the flaws I’ve mentioned, but they’re
really too off-putting and I change
my mind. So the impression you’ll be
left with is one of coyness plus self-
absorption, which I guess can be lived with.
Author of two book-length narrative poems, THE ADVENTURE and HAPPINESS, both Story Line Press; the former reissued 2022 by Red Hen Press. Three collections of shorter poems, A POVERTY OF WORDS, (Prolific Press, 2015), LANDSCAPE WITH MUTANT (Smokestack Books, UK, 2018), THE BEAUTIFUL LOSSES (Better Than Starbucks Books, September 2023), and THE LIBERATOR (Survision Books, Ireland, 2024). Pollack has appeared in Salmagundi, Poetry Salzburg Review, The Fish Anthology (Ireland), Magma (UK), Bateau, Fulcrum, Chiron Review, Chicago Quarterly Review, etc.
