Uhm!
Failure is a word I learned the way I learned harmattan — not from a dictionary but from the
way it cracked my father's lips before he could finish asking God for rain.
My father is a verb I cannot conjugate in past tense. He slouched a cliff holding a sickle,
counting pods the way a man counts the last of something he knows is the last of something —
& I watched from below, learning the grammar of almost, the syntax of one more.
What is a cocoa pod but a sentence the farm wrote before it lost its nerve? What is a sickle but a question mark the hand makes when it is tired of asking?
You speak of failure like it is a country I have not visited. I have lived inside its longitude. I have watched what families of such men become — not broken, no, but load-bearing, the way a wall
does not collapse but simply learns to hold more than it was built for.
Call it the body's blind insistence — a thorn's hold on flesh, which does not ask for permission, which does not mean to hurt you, which only means I am still here, I am still here, I am still
here.
My father did not pray for comfort. He prayed the way the root prays: downward, in secret,
toward water no one on the surface believes is there.
To alleviate. To stand when things— (& things, they always—) To accept the dying that happens before the actual dying, & to stay anyway.
If there is a more purposeful life than this, I will need you to describe it slowly, from your comfortable room, where the walls have never had to decide anything.
Nas Jolaade studied at the University of Ibadan. His work has appeared in Bracken Magazine, New Nottingham Magazine, WriterSpace Africa, Brittle Paper, Poetry Sango-Ota, Okiti Literary, and others. He was a finalist for the 2024 Kofi Awoonor Poetry Prize. He tweets @thejolaade.
X: @thejolaade
