The Movie
"This Movie reminds me of my friend James...
...he's one of two people I have ever met and known to be genuine geniuses...
They're both dead.
Fucking heroin man..."
Its really polite to be sorry for someone's loss
to get quiet
look at your feet
avoid that wild fire of rage and grief.
Like all wildfires it can spread on the wind of breath
and if you look a mourner in the eye long enough
you're liable to go up in flames yourself.
He was polite.
I ran in to James in his mother’s kitchen.
God he hated her,
because she didn't love him,
because she saw him
exactly as he was.
He drank like thirty cups of strong black coffee a day
with at least as many cigarettes
Camel Silvers when he could get them.
I remember telling him to eat a sandwich
because I could see his ribs through his button up wool sweater vest.
I told him it was obscene to walk around so exposed
his skeleton on display for all to see.
I don't know why but I think I should be afraid of grieving for this man in my bed
who said I would love this movie.
It is clear to anyone that bothers looking
he is in the latter stages of being eaten
by something ravenous
and persistent.
He has all but surrendered.
He does not know me
but he knows this story, I can see,
with other actors
and perhaps a slightly different plot.
He will not tell me his version.
James always carried around a copy of Ulysses
he said Joyce was a mad man and brilliant and super gay.
He thought everyone was secretly super gay.
He's probably right.
What is amazing to me is that he carried Ulysses around like a security blanket
for like three months and read it
at least three or four times cover to cover.
He never bent it
or spilled his infamous black coffee on it
or ashed on it,
because I think in a way it was scripture to him.
When he gave it to me for Christmas
--unwrapped because he didn't believe in that shit--
it was like being given his blessing
or perhaps an initiation.
You know I'm afraid to open it
to let his breath escape from the pages
to let myself step into his mind
and Joyce’s mind
of madness
and brilliance
and homoeroticism.
Maybe I’m a coward
James was never afraid to step in to my mind.
He got sick of my panic attacks one day.
I has having a lot of them as memories of past evils started to trickle back.
He was a rip off the band aid kind of guy.
He would sign his life over to God and the habit one day flying to the sackcloth arms of the monastic life
Then throw himself into speed, motels, and strange men's cocks the next.
He didn't care for middle grounds or pussyfooting around.
He wasn't afraid of anybody but himself.
and he's the only man that was never afraid of me.
He gave me ecstasy in a sparkly pink pill
and sat with me on the bench behind my dad’s house
and told me to tell him everything that happened to me
every detail. To absolve myself in telling it.
He was not afraid
or sorry for my loss
or polite.
He was a psychoanalyst at heart
or maybe a witch
or an angel
or a demigod
The man left.
We never finished the movie.
It was the first night we’d spent together and not had sex.
Does that mean were dating? or at least friends?
Maybe its just not super sexy listening to some chick
you barely know
laugh and cry and shout about her dead friend
when you just wanted to watch a fucking movie.
Maybe it’s not that important to you
the nights he spent on the phone with her in a Tennessee Waffle House
His hand poked odd ball tattoos
His brilliance
and heroin
Silvia Martin is a multimedia artist who relates to art as a vehicle for social change. Exploring relationality through liminal space, she plays with the connections between world and self, subject, object, and environment. Her work is informed by her experiences as a queer, mixed, disabled femme and invites the viewer/processor to explore their inner paradoxes through the lens of mercy and justice.
